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Bubble Puppy was a Texan psychedelic rock band formed in 1964 in Austin, Texas by Rod Prince and Roy Cox. Looking to form a "top gun rock band" based on the concept of dual lead guitars, Prince and Cox recruited Todd Potter; a gymnast, sax player and guitarist. With the addition of Danny Segovia, the original line up of Bubble Puppy was complete. Bubble Puppy's live debut was opening for The Who in Austin.
After several lineup changes, the final roster for Bubble Puppy settled at Rod Prince and Todd Potter on lead guitars, Roy Cox on Bass and David "Fuzzy" Fore on drums. In 1967, Bubble Puppy signed a recording contract with Houston-based International Artists, home to the 13th Floor Elevators and the Red Krayola.
Bubble Puppy had a minor hit for International Artists in 1968 with "Hot Smoke & Sasafrass". Although the single was popular in Europe it languished in the United States, never climbing above 14 on the Billboard 100. Its lack of performance at home was the source of considerable friction between the band and International Artists, as was the label's refusal to sign a licensing deal for the single with the Beatles' Apple Records.
In 1969, Bubble Puppy released their only full-length LP A Gathering of Promises. After continuous conflict with International Artists over financial issues, the band eventually left the label. Signing up with Nick St. Nicholas of Steppenwolf as a manager, Bubble Puppy moved to Los Angeles, changed their name to Demian and signed to ABC-Dunhill. Demian released one self-titled album in 1971, but its failure to perform on the charts led to financial difficulties with the label and, in 1972, Bubble Puppy split up.
The members of Bubble Puppy continued to be active in the music industry after the band's demise. Potter and Prince played with Sirius through the late 1970's, and Fore drummed with the Texas punk rock band D-Day, co-writing their cult hit "Too Young to Date".
The name "Bubble Puppy" was taken from "Centrifugal Bumble-Puppy", a fictitious children's game in Aldous Huxley's Brave New World. Demian was named after Herman Hesse's 1919 novel, and "Hot Smoke & Sasafrass" was a line lifted from an episode of The Beverly Hillbillies.
01. Hot Smoke And Sasafrass
02. Todd's Tune
03. I've Got To Reach You
04. Lonely
05. Gathering Of Promises
06. Hurry Sundown
07. Elizabeth
08. It's Safe To Say
09. Road To St. Stephens
10. Beginning
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Size: 59.3 MB
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The story of the Brigade will ring bells of recognition from just about anyone who grew up in the ‘60s. Here’s how the story goes: teenagers form garage band, start playing teen dances, eventually cut a record and release it locally to a bit of acclaim but no real fame. Then they move on with life, get married, establish careers, forget about rock and roll - and 30 years later are amazed when someone “discovers” them all over again, starts writing and calling and asking for specific memories long ago cast into the bins of history. The next thing they know, their music is reissued and they reach more people on vinyl or CD than ever heard them the first time around…and we all get a “Last Laugh”.
That about sums up our story of The Brigade. Now for the juicey details.
THE PORTLAND SCENE
Of course, The Brigade emerged from a context - in this case a very vibrant ‘60s music scene in the Pacific Northwest. The “Northwest Sound” in fact had two rival epicenters: the Tacoma/Seattle area and, 3 hours drive to the south, Portland, Oregon. From the late ‘50s and on into the ‘60s, the region produced its share of wellknown acts: The Kingsmen, Paul Revere & The Raiders, Don & The Goodtimes, The Ventures, The Fleetwoods, The Wailers, and The Sonics. Most of these bands initially focused on a white version of R&B, gradually moving into original songs that got regional radio play and occasionally broke out into the national “hitmakers” scene. Other wellknown Northwest artists of the era included The Viceroys, The Dynamics, The Frantics (two of whom later re-emerged to form Moby Grape), Little Bill & The Bluenotes, Ron Holden, Merilee Rush & The Turnabouts and a handful more. But of course for every one band that made it into the studio, much less got airplay, there were another 50 bands caught up in the dream.
Portland, with its near neighbors Salem and Eugene to the south, had the usual share of teenagers doing their musical thing. Once they were ready to move out of the bedroom and garage, bands had numerous venues to show off their stuff: school dances, store openings, church events, private parties, plus a whole circuit of teen dance halls and armories. The idea was to have fun, meet girls and make a little money. Portland also offered an annual teenfair Battle of the Bands, affording the lucky winners some local press coverage, maybe some cash, musical instruments or amplifiers, and often the greatest prize of all, “a recording contract”.
THE BETTER SET BEGETS THE BLUE BRIGADE…
Growing up in the north suburbs of Portland during this era, Bob Anderson was an 8th grader when he formed “The Better Set” with bass player Timmy Vetter and singer Peter Belknap. By the time the boys had started high school (Bob and Tim at North Catholic, Peter at Central Catholic), they had picked up guitarist Ed Wallo (also from Central Catholic) who in turn brought in keyboard player Eric Anderson (of Grant high school). They found a rehearsal place in Eric’s basement, and Eric’s dad proposed a new band name: “The Blue Brigade”. Working under that name, the band gigged all over the area through mid-’67, when Timmy left (to form “The Melody Boys”, later “Terry & The Pirates” and “Sound Junction”.)
Reissue of this obscure LP release from 1970, originally from the Pacific Northwest. "This is one of our alltime favorite album when it comes to Underground & Psychedelic music. One of ten we would take on an island. Full of dynamic and strong fuzz guitar solos, driving drums and amazing vocals, which deserves this offical reissue.
We located tons of unknown photomaterials which will be included in the booklet and some linernotes will give you the full background of the band. We can even include all tour dates the band made between 1967 and 1970. (Originals are impossible to find because only 100 copies were made at the time and some even had the wrong record in)."
01. Change in Me
02. Love Day for Day
03. Desert Song (You're All Alone)
04. Bad Town
05. Self Made God
06. Forever
07. Circles of Life
08. Everybody Is Laughing
1. http://rapidshare.com/files/361345514/Brigade.rar
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