01. Stand Up For Rock 'n' Roll
02. Runnin' Wild
03. Too Much, Too Young, Too Fast
04. Diamond In The Rough
05. Fat City
06. Blackjack
07. What's Eatin' You
08. Girls In Black
09. Cheap Wine
10. Heartbreaker
11. Hellfire

HOT MONKEY LOVE"PRIMATE BLUES"2004HML RECORDSdownload1. Boom Boom (John Lee Hooker) 3:492. Cross Eyed Cat (McKinley Morganfield) 5:003. 99 Pounds (Bryant) 3:244. I’m Ready (Willie Dixon) 3:505. Tear Your Playhouse Down (Randle) 3:186. Champagne & Reefer (M. Morganfield) 5:247. Shame, Shame, Shame (Jimmy Reed) 3:018. I’m a King Bee (J. Moore) 4:119. Me and the Devil (Robert Johnson) 5:2010. Tryin’

Myspace Website Try

(Indie,Pop,Folk,Singer-Songwriter)

Lightspeed Champion is the alter ego of one Dev Hynes - ex-Test Icicles. Currently signed to illustrious independent, Domino Records, it contains musical elements from a variety of genres. It’s a veritable soundscape of forward thinking songwriting with solid pop hooks and ambitious instrumentation (strings! flutes! guitars! pianos!)
Comparisons can’t be drawn to one artist, but there’s certatinly elements of Fleetwood Mac, Smashing Pumpkins, through to Hall and Oates, Nirvana, Patrick Wolf, Neil Young and even Bright Eyes - whose collaborator, Mike Mogis, also produced Lightspeed’s debut album ‘Falling off the Lavender Bridge’.

The follow-up to Falling off the Lavender Bridge was recently completed, with a release in February 2010. It is produced by Ben Allen (Gnarls Barkley, Animal Collective), and features the song “Madame Van Damme”(formerly known as “The Prostitue/Escort Song”), which has been played live regularly. The first Single to be released off of this album, is Marlene. It will be released Digitally and on 10” Vinyl.
In the downtime between the release of the new Lightspeed Champion album Hynes announced a side-project called Blood Orange, with whom he is planning to record an album soon. He released a demo of a song called “Said No” from the project on his blog.

Thanks to Fulltext!!

Genre: Hard Rock
Country: Canada
Website: Myspace
Quality: 192 kbps
Tracklist:
1. Never Again
2. How You Remind Me
3. Woke Up This Morning
4. Too Bad
5. Just For
6. Hollywood
7. Money Bought
8. Where Do I Hide
9. Hangnail
10. Good Times Gone

Genre: Cybergrind
Country: U.S.A.
Website: Myspace
Tracklist:

Album：The Underdog Ep
Artist：You Me At Six
Release Date：2010
Genre：Pop Punk / Rock
Myspace: http://www.myspace.com/youmeatsix

- Track List -

01. Underdog
02. Underdog (Acoustic)
03. Fact-Tastic

Genre: Pop Punk
Country: Michigan, U.S.A.
Website: Myspace
Tracklist:

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Genre: Hardcore
Origin: USA
Pass: bunalti.com
Myspace

Artist: Sovereign Strength
Album: Reflections
Year: 2010
Genre: Hardcore|Metal
Country: USA
Tracklist:
1. Introduction
2. Heartless
3. The Suffering
4. Half And Half
5. In The Mirror
6. Deliverance
7. Your Words Are Poison
8. The Outcome
9. War On This World
10. Consume
11. Revelation
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Blogger me ha cerrado outdoorminer (cdlandia.blogspot.com). Lo curioso es que hay cientos de blogs que postean cosas mucho más mainstream y actuales que las que yo publicaba y ahí siguen, no vamos a decir cuales porque ya todos los conocemos.
Igual es que conmigo no comían nada. Bueno que más da.
Señores de blogger, cierrenme este tambien, y todos los demás, ya que me han quitado ustedes las ganas de seguir con esto.
Nos sigue quedando el Soulseek....a ver si ahora van a ir a por el.
Bueno, me despido de toda la buena gente que he conocido aquí...seguro que nos vemos en cualquier fiesta.

Myspace Website Try

(Electronica,Psychedelic,Hip-Hop,Experimental,Lo-Fi)

In 2009 a voice will materialize from the windswept void of the California desert. At once haunting and oddly welcoming, it’s not your mind playing tricks on you, it’s Gonjasufi. Combining international psychedelia and the new-school beat diaspora, Gonjasufi’s dark songwriting, affecting vocals and street-mystic vibe will leave an indelible mark, as witnessed so far on collaborations with Flying Lotus and Gaslamp Killer .

Artist: Blind Witness
Album: Nightmare On Providence St
Year: 2010
Genre: Metalcore
Country: USA
Tracklist:
1. Prologue
2. All Alone
3. Nightmare On Providence Street
4. Since The Begining
5. These Countless Sleepless Nights
6. 10 Minutes Of Clinical Death
7. Baby One More Notch
8. Have You Ever Been Lucky?
9. Lovely Flesh
10. For Life
11. The New Year
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Tracklisting:
DISC ONE:
01: Prelude
02: Lawns Of Dawn
03: No One Is There
04: Ari's Song
05: Facing The Wind
06: Julius Caesar (Memento Hodie)
07: Frozen Warnings
08: Evening Of Light
09: Sagen Die Gelehrten (outtake)
10: Reve Reveiller (outtake)
11: Roses In The Snow (alternate)
12: Nibelungen (complete version)
13: Lawns Of Dawn (alternate)
14: No One Is There (alternate)
15: Ari's Song (alternate)
16: Facing The Wind (alternate)
17: Julius Caesar (Memento Hodie) (alternate)
18: Frozen Warnings (alternate)
19: Evening Of Light (alternate)
DISC TWO:
01: Janitor Of Lunacy
02: The Falconer
03: My Only Child
04: Le Petit Chevalier
05: Abschied
06: Afraid
07: Mutterlein
08: All That Is My Own
09: My Only Child (demo)
10: Janitor Of Lunacy (demo)
11: Abschied Ode [Death/Farewell] (demo)
12: You Are Beautiful (Afraid) (demo)
13: The Falconer (demo)
14: On The Desert Shore (All That Is My Own) (demo)
15: Frozen Warnings (demo)
The Frozen Borderline: 1968–1970 is a two-disc compilation set of music by Nico, comprising The Marble Index (recorded in 1968, released in 1969) and Desertshore (recorded and released in 1970). The two CDs contain remastered versions of all the tracks from these albums, early/alternate versions of many songs, and two previously unknown tracks.
The last track of the second CD is an alternate version of "Frozen Warnings" (a song from The Marble Index) without the tremulous harmonium, leaving only Nico's vocals and the violins.
320kbps mp3 with MQ scans in archive.
Part 1 | Part 2 | Part 3 | Part 4

Genre: Hard Rock
Country: Canada
Website: Myspace
Quality: 192 kbps
Tracklist:
1. Flat On The Floor
2. Do This Anymore
3. Someday
4. Believe It Or Not
5. Feelin' Way Too Damn Good
6. Because Of You
7. Figured You Out
8. Should've Listened
9. Throw Yourself Away
10. Another Hole In The Head
11. See You At The Show
12. Saturday Night's Alright (For Fighting)
13. Yanking Out My...
14. Learn The Hard Way

long overdue/late bloomer. i`m guessing this is the official 2010 release. puertorican 8bit dance-mania at its finest. tell all your friends about it.
get it now!
previously:
Go Organ! - Ate Bit

Artist: Blasphemophagher
Album: For Chaos, Obscurity And Desolatio
Year: 2010
Genre: Deathmetal|Blackmetal
Country: Italy
Tracklist:
1. Intro / Descending into Extermination
2. Chaos Obscurity & Desolation
3. Perverse Multiverse of Damnation
4. Sign of Blazar Storm
5. Vengenace from Nuclear Abyss
6. Altar of Quantum Immortality
7. Fleshripping Terrordeath
8. Black Hole Abominations
9. Rites of Eternal Horror
10. Ascending to Chaosthrone / Outro
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Crocodiles are a two-piece from San Diego, USA formed in 2008 playing lo-fi new wave, featuring former members of The Plot to Blow Up the Eiffel Tower. So far they have released a 7” on Zoo Music, and have two forthcoming split 7”s with a number of artists plus an LP entitled ‘Summer of Hate’.
(Taken from Last.fm)
I picked that one from a blog on a hot summer night. I just got it because I was amazed by the title "Summer of Hate" and the description that was given on the blog that Crocodiles combine lo-fi new wave with indie elements. And hey, Summer of Hate is a damn sexy name for a indie record. The music is awesome, so enjoy it.

Artist: dreDDup
Album: El Conquistadors
Label: Insurrection Records
Year: 2009
Tracklist:
01. Clockwork
02. First Blood
03. With No Teeth
04. Opening
05. Space Error
06. Invisible Tears
07. Mind Games
08. Last One
09. The New Pain
10. El Conquistadors
11. Futurism (MrBd Mix)
12. Oregon
13. Return of the TV
14. One of Us
15. Amputated Soul
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Music of dreDDup is a mixture of dark noisy sounds with rough industrial rhythm followed by metallic vocals. They are mostly influenced by post industrial music scene of the late 80's and the mid 90's. After experimenting with weird noises and rough drum beats they embraced commercial segments in their sound, making it more popular for some wider range of listeners. Today, they sound like a crossover of every genre they get in touch with.
dreDDup was formed 4th of June 1997 in the small city of Novi Sad Located in Serbia (Europe). In the beginning the whole band were two punk guys who began to experiment with electronic music. They DIY produced their first demo 'BDTP' in late 1997. and their first demo album 'Abnormal Waltz' in late 1998. During the late 1990s dreDDup were part of what was known as the post- industrial / noise influenced band but their sound changed rapidly - finally gathering it all under the label of industrial / crossover. Many DIY cassette EP's and demo soundscapes were recorded in that period but were never officially released. Live performances took place and members changed.
Exploring the dark sides of the human mind and the distorted production of truthful industrial crossover music, they've released their first official album 6 years later. 'Mr Bordnead's Feast' (2004) saw the addition of violins, keyboards, female back vocals and live instruments. It sounded more mainstream and commercial but band did it with a purpose to get the attention from the Serbian media. More innovative than old demos , yet retaining all the key elements of the early era, 'Mr Borndead's Feast' was slightly darker, although a long way off the intense darkness of the first two demos. This album talked about the past and the bloody feast of the close minded. 2004's showed a band continuing to expand and redefine their sound and purpose. A substantial increase in live performances - once an unheard of rarity - has lead to much greater recognition by a new generation of fans.
In 2005, Holland music label MoocSound Records , released their 'Mr Borndead's Feast' album in digipack format. Band than produced several videoclips and entirely dislocated their sound from the other surrounding bands. dreDDup's next release came in august 16th. 2007, when they released their second album - 'Future Porn Machine'. Following the footsteps of 'Mr.Borndeads Feast' this new album sounded more darker and more industrial rock than the previous one leaving the production rough. The main concept of this album was the pornographic future, where art = pornography = art where machines are replaced by humans. "Insurrection Records" from Belgrade recognized this band's music and agreed to release this album. dreDDup than finally abandoned that mainstream sound and went back to the basics of their music leaving the old work behind. After this move, they finally got the recognition by the wider audience. It continued by making the official remixes for Nine Inch Nails and re-relase of their old demo album 'Abnormal Waltz' on CD for 9 foreign labels.
In 2008, the band was included in much of the foreign music compilations. Third album 'El Conquistadors' was than finished in late 2008. This album was meant to be totally different from their previous ones. The new dreDDup sound followed more post- industrial sound and less melodies, including some very dark vocals and music that brought new dark energy in their live performances. It's concept was to bring the old sound from the 80's back to life. All 15 tracks are for the "chosen ones" only and band decided to release a bonus DVD with it. DVD contains "Industrial Renaissance" 40 min documentary about the band and 50 min live video of the dreDDup show "Live in 219". This album was the last one in time trilogy and is talking about the present tense and human inner boundaries. Album was officially released for Insurrection Records on March the 6th 2009.
Although primarily a musical group, dreDDup has sometimes worked in other media. In their early years, they've produced several works of video art., film soundtracks and theatre music. Collaboration with many underground acts and artists also took place in their career.
They are currently on tour and working on their new fourth coming album which is about to be released in the beginning of 2011. This will also be the last dreDDup album.

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"It seems to me that depression sells. There's a strange comfort in sadness. It's like, there's no point to life, so why should I have to do anything? Why live my life? It would follow that the music industry would latch onto this. Bands and artists such as Linkin Park, Evanescence, Elliott Smith, etc. make music designed for the depressed. It's become pervasive. If you listen to the radio for five minutes, you'll be struck by the amount of negative energy that comes from it.
As a result of the success of hopelessness, it's a rare thing that you find a truly happy record. As rare as they are, they're certainly a breath of fresh air when you come across them. The Soft Bulletin is one of these records. It's a celebration of love, hope, and innocence, in an increasingly cynical world. And while it doesn't deny that the world is a dark place, it tries desperately to keeps hope alive.
It starts off strong, and keeps the pace throughout. The first two tracks, Race for the Prize and A Spoonful Weighs a Ton, are a story about, as far as I can tell, two scientists trying to find a cure for a pandemic. The pressure is unbelievable, and there is a chance that they could die from this pandemic, they struggle onward, finally discovering the cure that will save mankind. While they are ecstatic, they never forget the cost of the discovery.
After that, while it's a concept album, it doesn't really tell a story. It becomes an angel sitting on your shoulder, reassuring you that every time things start to get heavy, it's not the end. For example, The Gash is about getting up and carrying on after a bad event. Waitin' for a Superman tells us that though the world is dark and bleak, God or Superman hasn't forgotten. He's just gathering enough strength to save us. Every other track is just as hopeful.
Every track on here is a great song, though two tracks, The Observer and Sleeping on the Roof, are instrumental, and may not stand as well on their own. This is just an all around fantastic album. It's like a box of kittens, or a big, fluffy blanket, in that when you are listening, it's practically impossible to feel down. I'm a negative, cynical, depressed shell of a man, who spends his waking hours wallowing in hate and self-pity, and I can't feel bad when listening to this album. It's like a cheap alternative to therapy. It's like a fix when your on happiness withdrawal. It's like someone captured good feelings, hope, love, and kindness, and managed to record them on a CD. Utterly brilliant."
tl;dr - Cool psych pop. Pitchfork eat dicks.
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